September 2011
Why, when the notion that ignorance is bliss is so pervasive, would knowing how the story turns out be such a pleasure enhancer? Leavitt suggests that comfort is a factor. “It could be that once you know how it turns out,” he told Science Daily, “it’s cognitively easier — you’re more comfortable processing the information — and can focus on a deeper understanding of the story.” It certainly makes a reader less likely to skim through the first 400 pages of a Harry Potter installment if she’s already taken a leisurely eyeful of the ending. And Christenfeld added that perhaps the action is only part of the story. “Plots are just excuses for great writing,” he said. “What the plot is is (almost) irrelevant. The pleasure is in the writing.”
Pretty sure David Shields says the same thing in Reality Hunger, and in his piece, “Long Live the Anti-Novel, Built from Scraps: “Plots are for dead people.”
Thx, @mattforsythe!
these things matter most:
How well did you love?
How fully did you live?
How deeply did you let go?”
— Siddhārtha Gautama” —(via journalofanobody)
Japanese Proverb
(via thoughtsdetained)
Love and violence, properly speaking, are polar opposites. Love lets the other be, but with affection and concern. Violence attempts to constrain the other’s freedom, to force him to act in the way we desire, but with ultimate lack of concern, with indifference to the other’s own existence or destiny.
We are effectively destroying ourselves by violence masquerading as love.
” —R.D. Laing (via fuckyeahexistentialism)